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Fury of War under heavy fire

1,500 x 1,500mm

Living beyond the hope you’ll survive

My heart is in my mouth;
The sky is on fire;
The heat is unbearable;
The dust is impossible to breathe;
The ringing in my ears is non-stop.
There is no place to run;
No building strong enough to hide;
No place to look away for it is all around.

My whole frame shakes
The pounding is relentless
The ground under me quakes
My heart cries for me to find safety
I am too afraid to stay where I am
But no wisdom to know where to go
I am now trembling all over

Luck almost spent
I curse the senders
Unable to return fire
I feel empty
I cannot hear
I am half blind
And I have unknowingly wet myself

Repeated fear makes grim faces;
I shout hope to him standing next to me
And he shouts hope back at me
Neither of us hear a word

Everything is in slow-motion now
Longing for an end – Hell not another moment.
It has been twelve minutes already;
How much longer – I can’t endure another volley.
The foetal position is tempting me;
Determined, I straighten my bones.

Another 2 hours into the night of hell to go;
Greater fury is yet to come.
Volley upon volley of katyusha rockets;
Their randomness brings exhaustion.

It all turns as bright as the sun. Boom!
I am violently thrown to the floor.
Half the building we are in has just been blown away;
I can’t see anyone anymore;
I am now alone;
No one left to over-watch.

Angry, I pull myself to my feet;
Determined to make it out to the senders;
Numb, I struggle forward as fast as I can;
My body and my gun weigh a ton.

Weaving through heavily rubbled streets;
Around buildings on their sides;
Swearing at every nearby blast;
Often blown to the ground.

If no one finds me;
Please tell my mother I am sorry I never got to spend time with her;
And tell my wife-to-be that my heart is full of love for her;

God, if you exist, “Where are you?”
I need you now!

Written in the first person on behalf of all those who were there.

The anatomy of the art:
This painting is without a painted border, because when the fury of war is being thrown at you it feels like it is without restraint or end.

The yellow areas on both sides of the painting depict explosions to the left and the right of you, flashed with white means they are nearby – too close for comfort. The large sun-like ball in the upper left corner represents an explosion in a neighbouring building a moment ago; and the one at the bottom right is another explosion hitting the building you are in right now!

The pieces flying through the air, in the middle of the painting, represent the fragments from the previous blast mixing in with the current blast.

The fiery red throughout the painting symbolises all the bravery that one can possibly muster up, moment by moment, only to have the next explosion tear it apart… as can be seen in the large ripping bush strokes in behind the current explosion.

The dark blue brush strokes signify the deep hopes within you, that in some way you will come out of this okay. But, the ever-present darkness that is behind everything represents your constant fear that you won’t.

And, the little bits of dark green in the midst of it all represents when everything around you is a constant threat to your life, your mind starts to drift to life at home when you were a child. However, that soon disappears behind the next blast.

One of the most the unexplainable things to behold in this world is the fury that nations are prepared to throw at each other in war. It feels like, if they could, they would throw the sun at each other.



Two friends fleeing hell

1,500 x 2,120mm

Short Version

Friends forever
Objectively, they enlighten each other;
Instinctively, they protect one another.
Together, they are like a hundred bold angels;
Constantly, inserted into hell.
Often, called upon to EXFIL others;
Some friendlies, many hostile.
Always, doing the impossible;
Even facing the unthinkable.
Eventually called beyond measure;
Faithful to the end;
Were they.

Artist's Full Inspiration:

Brothers forever
Always side by side were they, Andrew and Joe;
If Andrew looked to their left, Joe instinctively looked to their right;
If Joe moved forward, Andrew would automatically protect their back;
Together three and a half years, from their first day, brothers.

Moving between jungle dangers, tree to tree;
Hiding in snow holes, warming each other;
Crossing desert sands, sharing drops of water;
Seldom anywhere in-between, but they met the Queen : )

Andrew’s job is to call the external numbers, tallying the environment to zero;
Joe’s long range in-gun aim was to always call back “Tango Down.” (Target down);
Andrew was as big as a bear, the biggest of them all, and Joe was smaller than allowed;
Once Andrew effortlessly carried an injured Joe, zigzagging over a mile to safety.

Three days ago they started out an eighteen man team, HALO insertion;
Job: Remote exfiltration. Extracting hostages: two males, one female – all friendlies;
Upon making contact, we were savagely discovered;
They are now just 7, with only the female exfil, escaping in two stolen bad-guy’s cars.

2 days later, and after too many Plan B’s (they both always hated plan B’s);
They are only 3 miles from a safe-border, when they are set upon for the fifth time;
It’s now down to Andrew and Joe, on foot, to extract the female exfil;
They quickly scrounge around and pick up what extra resources they can find.

Not far to go now, just through a slight valley, and down over the border;
Halfway, pop, pop pop, three shots hit Andrew, one hard to his right thigh;
He stays in the fight, and together they effectively repel what’s left of them;
Joe quickly applies a tourniquet, and sees to Andrew’s flesh wounds.

Joe quietly yells at him, “Fuck, I can’t carry you. You are too big;”
Andrew quietly yells back, “You have to get her out, I’ll hold ‘em, you get her out;”
They look into each other’s eyes, and micro-nod three times – both knowing;
Joe puts his hand around Andrew’s neck, and kisses his forehead.

The female and Joe quickly press on through to the head of the valley;
Joe selects a clear firing point above the draw;
He sets up his bolt-action .50-cal, ranged to 1540 yards;
Only twenty-five rounds left.

10 minutes later, the bad guys have reinforcements, and try to rush up the valley twice;
Andrew fought like ten men, throwing everything at them;
Joe provides selective over-watch, the bad guys fall back again, hurting;
Joe now has only seven rounds left.

There is 15 minutes silence;
Then the bad guys start to move up, sneaking rock to rock;
Joe waits patiently, holding fire, until their boss-man moves;
Six rounds left.

The bad guys pull back, another 20 minutes passes;
Suddenly, very suddenly, more than thirty of them rush;
Andrew’s last three grenades go out, followed by his last bursts of fire.
Joe only has time to fire three more shots.

Andrew is overrun, they have Joe’s mate;
Andrew’s hands are half up, they are moving in, guns trained on him;
Andrew’s guns are empty, he provokingly draws his knife;
They decline to fire, looking to fully abuse him.

Joe quickly checks that his sight-picture is perfect centre scope;
His legs are spread equally, to ensure his pulse is even on both sides;
He relaxes his crucial breath, like breathing through a straw;
Andrew holds three fingers in his left hand;

Joe pushes three values to the left;
Joe sends the shot, 2.3 seconds travel time;
1 second out, Andrew braces his centre mass;
Knowing, that Joe would have already sent it.

The perfect shot hits;
Joe’s heart screams inside;
Rent by what his eye confirms;
“Alpha Down”.

Andrew, who was far bigger than Joe, easily carried injured Joe to safety when he needed him; The very dynamic that denied Joe the ability to do the same for Andrew when he so badly needed it; Why is it that the most desperate moments in life are NEVER fair!


The anatomy of the art:
This painting is about the last hours of that day.

Painting without a border, means it is forever.
The two pure white birds symbolise our perfect brotherhood.
The pink tone across the painting is our constant resolve for the female exfil.
And the rough texture through the middle is the harsh environment that the entire exfiltration took place in.
The darkness across the bottom represents the constant threat from the bad guys.
And the ten and a half strong sets of vertical brushstrokes along the bottom of the painting are the most significant active encounters with the enemy, the last half representing cheating them out of having their way with Andrew.

Written on behalf of all those who have been there.



1,500 x 2,120mm

Goodbye my forever friend;
I will always remember us, me and you.

Although my eyes are denied the delight of you;
I hold tight memories that never lose sight of you.

Although I no longer hear your voice, and more;
I keep recalling your smiling face and words more and more.

Although this time there was no return for you;
I am grieving, yet so thankful that I was there for you.

Although I will miss us forever;
I fly on always strong for us forever, and ever.

Alone, together.

Written in the first person on behalf of all those who have been there.


Flying in above the night

1,500 x 2,678mm

Having to go out again – repeatedly

In life, we all go out into the unknown;
Living within fine lines of hope;
Suspended above the world we are in;
In which everything is so thin.

Looking across at each other;
We are all so tough;
Yet we are all so very fine;
Full of delicateness.

Below there is so much uncertainty;
But we are bold beyond courage;
Using strong lines of bravery;
To stare back the walls of fear.

We are already dead men;
Living our own short-lines of luck;
At our end, we all die alone;
In ways powerless to stop.

There are fine lines between:
Being first responders; to being the last resort;
A rescue mission; and a suicide mission;
From being the hunters; to the hunted;
Between leading out; and being left behind.

And very fine lines between:
Safety; and danger;
Looking out for each other; and feeling alone;
Peace of mind; and memories of what we’ve had to do;
Between staying alive; and not coming home.

Between living in peace; and fighting to protect it.
Then the light turns green;
Every double thought disappears; and resolve locks in;
And out we go again;
Fully committed.

The anatomy of the art:
Painted without borders is representative of how critical activities seem to be without end; in that they roll one into the next.

The backlit background behind the top half of the painting depicts the hope behind everything that drives special people to do the special things that they do.

The blue represents the peacefulness above the night sky; over-brushed with a little royal purple, hints that it is Godlike.

While the black hidden beneath the dark and rough area across the bottom, portrays the threat of death that awaits us all.

The lines scratched across the middle of the painting characterise a fragile aircraft, coming in above the night sky, transporting men ready to jump again into the unknown below.

And the lines that the aircraft itself is made up of: the white, black and the blue; with dangerous red splattered all around, represent all the fine lines between a man’s life and his death – which many of us have had to face thousands of times over.

Written in the first person on behalf of all those who have been there.


Standing between liberty and terror

1,500 x 3,200mm

Short version:

How shall we paint him?

Shall we paint him dashing into a hail of bullets?
His body full of urgency, with not a moment to spare?

Or as he’s known to all those who fought alongside him?
Without a doubt, the most skillful roving Perimeter Securer of our team?

Or shall we paint all that he stood for, all that was dear to him?
Depicting his loyalty, revealing a resolute defender of freedom?

Or his heart, free of anguish during the most frantic moments?
Full of bravery, braver than brave, unable not to save?

Or shall I paint the relief in his eyes whenever he saw we were safe?
Or shall we paint his eyes that are closed for us all?

One who went into hell and darkness alone?
Like a mighty angel, his life unable to be touched?

Yes, all of these, and so much more, in my vivid memories;
But none like his calm walk into eternity, to save someone like me.

Artist's Full Inspiration:

The day I found out what life is

Four years co-operators were they;
War fighters, best buddies from day one.
Caught in a gun fight, more fierce than imaginable;
Losing their friends left, right and centre;
All too quickly, remain only Manny and Joe.

Halfway through the final shootout;
Things weren’t going well for them;
Stuck in a bad situation, were they;
Pinned down under continuous fire;
Running out of ammo, fast.

In-between delivering their last bursts of fire;
Manny scrounged around their fallen friends;
Desperately looking for all the ammo he could find;
Frantically loading what little there was into a second gun;
All the while they fought side-by-side, as smart as they were able.

Both their main guns are now empty;
Then click, click; both their pistols too;
The remaining bad-guys are coming in, fast;
Realising they are upon them, Joe looks into Manny with anticipation;
Both knowing, now their only hope resides in Manny’s second gun.

Manny looked Joe square in the face;
Smiling big, “I got this one Joe”
Throwing Joe the second gun;
Picking up his empty one;
Running hard out to the right of Joe, unbelievably.

Manny sprints across the front of the remaining bad guys,
Pointing his empty gun at them;
Moving in a threatening manner;
Drawing their fire upon himself;
Causing them to turn away from Joe.

Resulting in them slightly bunching together;
Opening up just enough headway for Joe;
Rushing forward, Joe’s gun cuts hard into the side of them;
All the while, hearing their bullets whacking hard into Manny;
It all ending in a sudden eerie silence, full of echoes.

Quickly, ensuring the immediate area was secure;
Joe dashed back to a very badly mangled and gasping Manny.
Within seconds, Manny died in Joe’s arms . . . eye to eye;
Just enough time to hear Joe cry, “Perimeter Secure”.
Upon which, Joe sees just the beginning of Manny’s smile;
Knowing that Joe had made it out;

Then Joe lost him.

30 seconds later arrived a, sadly delayed, 16-man QRF. The support team, full of experienced men with extra ammo, which they were longing for 15 minutes ago.

It is not until we have someone knowingly lay down their life for us, do we know what our mundane everyday life is really worth.

There is not a day that goes by when Joe doesn’t think of Manny;
Seeing his own face in the mirror every morning;
Getting dressed on his wedding day;
Spending time with family and friends;
In every new person Joe meets;
And, in everything Joe does.

It holds him true.
Always will.

And in light of all the Mannys
I for one feel, we all ought to live lives worthy of them saving.




1,500 x 3,200mm

This painting is another representation of the same event portrayed in "Standing between liberty and terror", the painting listed before this one.


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875 x 1,238mm



The slain soldier’s lover’s heart

1,200 x 1,200mm